As the summer nights continue, it’s the perfect time to relax with a new batch of captivating films and series.
August’s streaming highlights bring a little bit of everything, from gripping true crime, to thought-provoking drama, and a nostalgic music documentary on the life and times of piano man Billy Joel.
So grab a blanket (and maybe a snack or two). Your next binge-watch awaits.
‘One Night in Idaho: The College Murders‘
Prime Video
I remember seeing the gruesome 2022 murder of four college students in Moscow, Idaho, splashed all over the news. The world seemed momentarily gripped by the brutality of the killings, which happened in off-campus housing, while two other roommates slept downstairs.
The ensuing investigation was given significantly less attention, though. So when Prime Video dropped this four-episode limited series, well, that was my weekend sorted.
The docuseries features exclusive interviews with the friends and families of the victims, so it doesn’t feel gratuitous. It respectfully recounts the tragedy and explores its continued impact, while honoring the victims. It also builds the kind of tension and disquiet that is so beloved in the true crime genre, but not in a way that makes you feel gross watching it.
Notably, legal proceedings for the case were still underway when ‘One Night in Idaho’ was released. And the series made it clear there was more to the story which couldn’t be shared with, or by, the producers.
However, the trial has since concluded, with more information now available for anyone wanting to dive deeper into the case. This makes the series an absorbing watch.
– Alexa Scarlata
‘Dept Q‘
Netflix
Based on the book series by Jussi Adler-Olsen, ‘Dept Q’ is a gripping television adaptation for fans of Nordic noir and British crime drama.
In Edinburgh, Scotland, Detective Chief Inspector Carl Morck (Matthew Goode) has returned to work after a shooting which left him physically and psychologically wounded, his colleague partially paralyzed, and another colleague dead.
With the dregs of a budget assigned to cold cases, and a team of misfit officers, Morck sets out to solve the four-year-old case of missing Crown prosecutor, Merritt Lingard (Chloe Pirrie).
We follow Merritt’s story across various stages of her life. We see her as a teenager in the lead-up to a devastating crime that left her brother with a traumatic brain injury, as well as later in life, when she loses a major case involving a wealthy man on trial for his wife’s death.
Shortly after the devastating verdict, Merritt went missing on a ferry ride to her childhood home, on the fictionalized island of Mhòr. Returning to the present, we see she has been held captive inside a hyperbaric chamber for the past four years.
The pressure under which Merritt is kept makes Morck’s investigation high stakes from the start, while the movement between past and present highlights the impacts of past traumatic events on both characters.
‘Dept Q’ is a fast-paced, breathless thriller which will leave viewers craving its rumored second season.
– Jessica Gildersleeve
‘Billy Joel: And So It Goes‘
HBO Max
Produced by Tom Hanks, this two-part documentary about singer/songwriter Billy Joel covers more than five decades of music. Created very much from Joel’s perspective, who is also the main narrator, the archival content is fascinating, and the music difficult to deny.
Discussion of Joel’s early suicide attempts are a shocking and terrible reminder of how different things might have been. From here, the role of the women in his life – his wives, daughters, and mother (“his champion”) – becomes vital. Beyond the headlines (particularly with his second wife Christie Brinkley), are partners who were muses, business supporters and emotional support pillars – some of whom gave Joel ultimatums when the time came to battle his alcohol addiction.
Brinkley, as well as Joel’s first wife, Elizabeth Weber, are particularly moving interviewees. They would wait at home, or stand nervously backstage as Joel “went to work” to earn, repair and rebuild against the odds. No spoilers, but let’s just say Joel ended up in trouble more than once.
On the other hand, the men in Joel’s life are often distant: Jewish grandparents who escaped Nazi Germany; a father who left when Joel was small; a half-brother discovered later in life. These losses are never really healed.
‘Billy Joel: And So It Goes’ is a five-hour epic, a story of survival and ultimately, of peace. It is, of course, also a reminder of an incredible catalogue of music – joyful, ordinary and wonderful – and the extraordinary life behind it.
– Liz Giuffre
‘The Buccaneers‘, Season 2
Apple TV
Loosen your corsets, ‘The Buccaneers’ is back for a second season of feminist sisterhood and fabulous gowns.
Adapted from Edith Wharton’s unfinished final novel, the series follows a group of outspoken young American women navigating the marriage market in 1870s Victorian England. Gleefully anachronistic with feisty girl power speeches and a contemporary pop music soundtrack, ‘The Buccaneers’ is equal parts ‘Bridgerton’ and ‘Gossip Girl’ (complete with a character played by Leighton Meester).
Season 2 picks up where the first left off, with Jinny (Imogen Waterhouse) and Guy (Matthew Broome) fleeing the country to escape Jinny’s violent husband Lord James Seadown (Barney Fishwick).
Meanwhile, sister Nan (Kristine Froseth) is busy back home leveraging her position as Duchess of Tintagel to help facilitate Jinny’s return – a campaign that includes wearing a showstopping red gown to a black and white ball. In keeping with the series’ M.O., this might be narrative nonsense, but it looks exquisite.
While trysts and love triangles continue to provide escapist entertainment, Jinny’s abusive marriage dominates later episodes. If Season 1 sought to expose the isolation and entrapment Jinny endured in her marriage, Season 2 foregrounds her resistance in the face of it, intent on highlighting how perpetrators of violence manipulate legal and medical systems to tighten the noose around victims’ necks.
Season 2’s veering between frothy excess and melodrama arguably results in some tonal patchiness. Nonetheless, it should be commended for its careful treatment of the corrosive impacts and dangers of coercive control. This – more than the downloadable soundtrack and dazzling costumes – makes it good viewing.
– Rachel Williamson
‘Dangerous Animals’
Prime Video
Dangerous Animals is perhaps the most original and entertaining shark horror film we have seen since ‘Jaws’ – incorporating traditional elements of the shark thriller genre, while challenging them at the same time.
The film starts with the primal fear of being eaten alive by monstrous sharks, with gruesome shock-thrill scenes of tourists being torn apart in a blood red ocean.
But later, the narrative reminds us it is the boat captain, not the great white, who is the real sadistic killer. Predictably, we see a young bikini-clad woman who gets horribly dismembered (just like the first unforgettable victim in ‘Jaws’).
However, it is also a fearless bikini-clad woman, Zephyr (Hassie Harrison) who turns the tables on the boat captain, outwits him, rescues her boyfriend and even makes friends with the shark.
‘Dangerous Animals’ includes some interesting subtext and commentary, such as when it compares women to fish – creatures hunted for sport – and when it highlights the inherent cruelty of fishing, and the hook that impales the prey.
The film delivers sophisticated special effects and gruesome eco-horror entertainment. It is a fun, self-aware and postmodern watch that will leave you thinking.
This film will trigger your childhood fear of ‘Jaws’ – but with a twist.
– Susan Hopkins
